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8 January 1836 – 25 June 1912. Most renowned painters.

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Giovanni Battista Gaulli Called Baccicio
The Worship of the Holy Name of Jesus, with Gianlorenzo Bernini, on the ceiling of the nave of the Church of the Jesus in Rome.

ID: 58992

Giovanni Battista Gaulli Called Baccicio The Worship of the Holy Name of Jesus, with Gianlorenzo Bernini, on the ceiling of the nave of the Church of the Jesus in Rome.
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Giovanni Battista Gaulli Called Baccicio The Worship of the Holy Name of Jesus, with Gianlorenzo Bernini, on the ceiling of the nave of the Church of the Jesus in Rome.


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Giovanni Battista Gaulli Called Baccicio

Genoa 1639-Rome 1709  Related Paintings of Giovanni Battista Gaulli Called Baccicio :. | Continence of Scipio | Portrait of Cardinal Leopoldo de' Medici | St John the Baptist | Triumph of Bacchus and Ariadne | St John the Baptist Preaching (mk05) |
Related Artists:
Rinaldo Cuneo
1877-1939
Albert Edelfelt
1854-1905 Finnish Albert Edelfelt Location Finnish painter, illustrator and etcher. He was Finland leading artist in the late 19th century, introducing French influences into Finnish art but also helping to gain a broader international interest in his country culture. He was not a great innovator, however, and although his reputation in Finland remained firm, international recognition dwindled after his death until the renewal of interest in realism that took place in the late 20th century.
Jean Baptiste Isabey
French Painter, 1767-1855, Painter, draughtsman and printmaker. He trained in Nancy with Jean Girardet (d 1778) and then with Jean-Baptiste-Charles Claudot (1733-1805), master of the miniaturist Jean-Baptiste Augustin. In 1785 he went to Paris, where he began by painting snuff-boxes. In 1786 he received lessons from the painter Francois Dumont, who had also studied with Girardet in Nancy, before entering the studio of David. Although he had received aristocratic commissions before the Revolution to paint portrait miniatures of the Duc d'Angouleme and Duc de Berry and through them of Marie-Antoinette, he did not suffer in the political upheavals that followed. He executed 228 portraits of deputies for a work on the Assemblee Legislative and from 1793 exhibited miniatures and drawings in the Salon. Success came to him in 1794 with two drawings in the 'maniere noire', The Departure and The Return. This type of drawing, using pencil and the stump to simulate engraving, was very fashionable in the last years of the 18th century and reached its peak with Isabey's The Boat






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